BY THE TIME WE GOT TO WOODSTOCK ä THE GREAT ROCK 'N' ROLL REVOLUTION OF1969

The second in a ground-breaking series of thirteen works for orchestra, Liszt's Tasso. Lamento e Trionfo was inspired by Goethe's drama Torquato Tasso . Composed from 1849-54, it was given its premiere in Weimar 19 April 1854 with the composer conducting the Weimar hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann from the first volume of the Liszt-Stiftung edition, published in 1908. In contrast so many of the on-demand scores now available this one comes with all the pages with each image thoroughly ...

The first analytical study of the pioneering English  musician. The historian, Paul Sutton begins by taking the reader through a vastly entertaining potted history of rock music pioneers, tracing them all back to “a delta of Mississippi mud from where howled the first harmonica, and from where was heard the first blue plucking finger on string”, to show that popular music was strictly The Imitation Game until Gary Numan came along with his Machine Quartet, four albums that completely re-invigorated rock and roll.   “Numan’s ...

Number 8 in his series of thirteen tone poems for orchestra, Liszt's Héroïde funèbre  or 'Heroic Elegy' was composed from 1849-56 and given its premiere in Breslau on 10 November 1857 with the composer conducting. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. In contrast so many of the on-demand scores now available this one comes with all the pages with each image thoroughly checked to make sure it is readable, then ...

The landscape of art and protest is comparatively barren. Absent is the united creative response prevalent during the folk renaissance and folk revival. The performance of folk music of protest is at risk of becoming an academic exercise. The legacies and lessons learned from those eras must be reassessed. Expectations were not practical. The crisis of the death of the folk music of protest form was a theoretical event. That the problemized form suffered from exhausted purpose is myth. I took a representational consideration of folk renaissance and ...

Edwin Eugene Bagley (1857-1922) was born in Craftsbury, Vermont and started his music career at the age of nine as a vocalist and bellringer. In spite of never having had formal music lessons he became a successful cornet player, trombonist and composer. He moved to Boston in 1880, became solo cornet player in the Boston Theater, traveled with the Bostonians opera company for nine years and later played with the Germania Band. He eventually settled in New Hampshire, where he directed several city bands. It is believed Bagley started composing the National ...

„Moja opowieść to muzyczna suita złożona z magicznie połączonych ze sobą utworów”. LET LOVE RULE to niezwykle refleksyjne dzieło. Lenny Kravitz analizuje swoje życie szczerze, szczegółowo i z dużą dozą humoru. „Moje życie płynie pod znakiem często całkowitych przeciwieństw – pisze. – Czarny i biały, żyd i chrześcijanin, fan The Jackson Five i Led Zeppelin. Zaakceptowałem swoją ...

Some fans say that  Jay Dee  was the greatest hip-hop producer ever.  Wax Poetics  speaks in-depth with Jay’s peers and delves deep into his magical, musical life. With our first split-cover, we also honor hip-hop production masters, Public Enemy’s Bomb Squad. Hank Shocklee ' Co. take us back to the days of noise and controversy—hip-hop style.

384 paginas, más de 70 fotos, Prólogo de Gustavo Santaolalla. Columnas de Enrique Lopetegui publicadas en Nuestro Tiempo, el semanario en español de Los Angeles Times, entre 1993 y 1995, años claves en la historia del rock en español en Estados Unidos y el mundo. Capítulos sobre Maná, Los Fabulosos Cadillacs, La Ley, Maldita Vecindad, Caifanes, Café Tacuba y varios más, incluyendo un vistazo a las bandas locales de Los Ángeles (María Fatal, Los Olvidados, Voz De Mano y otras).

The American bandmaster, composer and publisher Roland Forrest Seitz was born in Shrewsbury township, Pennsylvania. One of eight children, his father died while Roland was still a boy so he went to work as a printer's apprentice at a young age. Passionate about music, he studied on his own, learning the flute, then euphonium and cornet, and performed in his family band as well as in the Glen Rock Band. He was only able to start formal music training at age 27 when he enrolled at the Dana's Musical Institute in Warren, Ohio, graduating from there in 1898. ...