<p>Using architecture, sculpture, culture and history, <b>Adams</b> humanizes the medieval period and provides valuable insight on religious philosophy. <i>Mont-Saint Michel and Chartes</i> provides a background and description of the construction of two French landmarks built in the 11th century. The Mont-Saint Michel cathedral was built during a militant time; it was not enough to simply be steadfast in one's own beliefs, but also to make others believe them. Religious conversion was a form of defense. Mont-Saint Michel was built in a period where faith was aggressive, almost violent, and to accommodate this, Mont-Saint Michel was built in honor of a warrior angel. In contrast, the Chartes cathedral, another French monument built in the Gothic period, was built as a shrine to Mary, the mother of God. Using Mary's image and inspiration, this church set a welcoming tone. While the cathedral of Mont-Saint Michel represents a more aggressive side of faith, the cathedral of Chartes is the embodiment of love and peace. In the same way that this contrast exists between the two cathedrals, a similar duality is present in the Christian faith. It is both a safe haven and a weapon wielded by the religious in order to conform others to their faith. Through descriptions and comparisons between Mont-Saint Michel and Chartes, <b> Adams </b> provides thoughtful reflection on both Christianity and the magnificent structures of the Gothic period. </p>
<p><i>Mont-Saint Michel and Chartes</i> by <b>Henry Adams</b>is a subjective and personal view on history written in beautiful prose. With the stories behind two grand French cathedrals, <i>Mont-Saint Michel and Chartes</i> explore themes of Christianity, gender, and medieval culture with eloquent and enlightened discourse on history and the politics within Christianity. </p>
<p>Now in a modern, readable font and new, striking cover design, <i>Mont-Saint Michel and Chartes </i> by the prolific American author and philosopher, <b>Henry Adams</b> provides meaningful meditation on the duality of religion and insight on the French Gothic period. </p>