<div title="Page 11">&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<p><span style="font-size: 10.000000pt; font-family: 'OpenSans';">This issue of&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans'; font-style: italic;">Antennae,&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">and the next, are informed by the exhibition&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans'; font-style: italic;">Making Nature: How We See Animals&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">the exhibition curated by Honor Beddard at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017.&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">This first installment,&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans'; font-style: italic;">Making Nature,&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">which takes its title from the exhibition, looks at the construction of nature as a cultural pursuit during the nineteenth and twentieth centuries. It focuses on issues of visibility and invisibility, both cultural and ecological, to critically appraise</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">&nbsp;the methodological approaches that have defined the philosophies of the discipline. Technolo</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">gies of visibility like taxidermy, dioramas, macro-photography, and illustration are juxtaposed to&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">highlight the complicity of art and science in the production of fictional narratives about the world we&nbsp;</span><span style="font-size: 10.000000pt; font-family: 'OpenSans';">live in.&nbsp;</span>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;</p></div><p>&nbsp; &nbsp;&nbsp;</p>