<p><span style='color: rgb(38, 38, 38); font-family: -apple-system, system-ui, "Segoe UI", Roboto, Helvetica, Arial, sans-serif; font-size: 14px; font-style: normal; font-variant-ligatures: normal; font-variant-caps: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-text-stroke-width: 0px; background-color: rgb(255, 255, 255); text-decoration-style: initial; text-decoration-color: initial; display: inline !important; float: none;'>This issue of 'Antennae' is part of a project informed by the exhibition 'Making Nature' held at Wellcome Collection in London between the 1st of December 2016 and the 21st of May 2017, and is co-edited with Honor Beddard. Our issue, titled 'Remaking Nature' focuses on the work of contemporary artists whose practices map and untangle important, and yet overlooked, junctions in our coevolutional histories with the rest of the natural world. This issue features the work of many contemporary artists and scholars whose work critically appraises and challenges the methodologies of natural history in order to envision new conceptions nature.</span></p>