<p>"I finished <i>The Heroine</i> last night and was very much amused by it. It diverted me exceedingly. I have torn through the third volume; I do not think it falls off. It is a delightful burlesque..." - Jane Austen
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<p>"<i>Everybody</i> has read [<i>The Heroine</i>]. There is no one so superlatively unhappy as not to have done this thing. But if such there be - if by any possibility such person should exist, we have only a few words to say to him. Go, silly man, and purchase forthwith '<i>The Heroine: or Adventures of Cherubina</i>.' There are few books written with more tact, spirit, näiveté, or grace, [...] and none more fairly entitled to rank among the classics of English literature than the Heroine of Eaton Stannard Barrett." - Edgar Allan Poe, in <i>The Southern Literary Messenger</i> (1835)
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<p>Young Cherry Wilkinson, the daughter of a farmer, has read one too many Gothic novels. And when she discovers a mysterious fragment of parchment and an antiquated portrait in her father's desk, she becomes convinced that she is a heroine and an heiress, and that the farmer is not her father, but instead an assassin with designs upon her life.

<p>Renaming herself Cherubina, she deserts her home and sets off on a mad romp across England, determined to recover her lost domains and unravel her true parentage. But after a series of madcap and hilarious adventures, she comes to find that modern-day English law and society do not always permit a young lady to behave like a character out of a romantic tale. And when a handsome but dissolute young actor learns of Cherry's father's wealth and her mania for Gothic novels and styles himself Lord Montmorenci in an attempt to deceive her into a marriage, Cherubina will need all of her heroine's wit to defeat the nefarious plot!

<p>A brilliant comic novel that went through numerous editions in its time and earned widespread critical acclaim, <i>The Heroine</i> (1813) has recently been badly neglected and has been out of print for almost a century. This edition features a substantial new introduction by internationally known Gothic scholars Avril Horner and Sue Zlosnik, the unabridged text of the first edition, and detailed endnotes.