Excerpt from The Story of the French Revolution<br><br>The following Sketch of the course of the French Revolution was originally published during 1889 in serial form in Justice, the weekly organ of the Social Demo' cratic Federation. It has been revised, corrected, and, in some parts, added to, for the present re-issue. It need scarcely be said that it in no way pretends to be a com plete history of the great political, social, and intellectual movement it describes. The present volume is designed primarily as a guide to those who, not having the time to study larger works on the subject, yet wish during these centennial years to have in a small compass a con nected description of the main events of the French Revolution, more especially from the point Of View of modern Socialism. It is undeniable that there are many Englishmen who would indignantly repudiate any'asper sions on their education for whom the French Revolution means little more than the destruction of one institution called the Bastille, the erection of another institution called theguillotine, and the establishment of the Napo leonic Empire on the ruins of both. They have no idea Of the complex forces, economical, speculative, and po litical, which manifested themselves in the succession of crises (scarcely, indeed, of the existence of the crises themselves) which took place between the assembling of the states-general in 1789,_and the suppression of the Babmuf conspiracy in 1796.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.