<p>It&rsquo;s Always Four O&rsquo;Clock</p>

<p>&nbsp;</p>

<p>When Stan first meets Royal Mauch, he isn&rsquo;t impressed. He&rsquo;s digging the scene at the Treble Clef and Royal, this thin little guy two seats down, is so boiled he can&rsquo;t get his cigarette up to his mouth. But they start talking music, and Stan introduces him to Walt and Berte. And before you know it, with Royal&rsquo;s unique arrangements, they have a jazz combo. But Royal is no ordinary jazz pianist--this guy plays from somewhere <em>out there</em>. Stan and Walt have a hard enough time just keeping up with him, and Berte&mdash;well, she&rsquo;s so in love with Walt, she&rsquo;s just happy to be the singer. And, man, some nights, they really soar! But it can&rsquo;t last. Because Berte is a woman with a mission, and Royal is a man with a past.&nbsp;</p>

<p>&nbsp;</p>

<p>Iron Man</p>

<p>&nbsp;</p>

<p>Coke Mason is a tough fighter. He&rsquo;s got a great left hook, and he can take the punishment. His manager George Regan knows all his strengths and weaknesses&mdash;hell, they&rsquo;ve known each other since they were kids--and uses them to his advantage to get Coke fired up before every fight. Coke is headed for the top. But he&rsquo;s got one weakness that Regan can&rsquo;t use&mdash;Coke&rsquo;s love for Rose, his manipulative wife. Rose has Coke twisted around her finger so tight, Coke can&rsquo;t see straight. But that doesn&rsquo;t bother Coke. Whatever Rose wants is okay with him. Until suave hustler Paul Lewis enters the scene, with a proposition of his own.&nbsp;&nbsp;</p>

<p>&nbsp;</p>