The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.<br />The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. <br />++++<br />The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:<br />++++<br />'sourceLibrary'National Library of Scotland<br /><br />'ESTCID'T220460<br /><br />'Notes'Anonymous. By Charles Coffey. An abridgment into one act by Theophilus Cibber from Coffey's three act version, itself adapted, with help from John Mottley, from Thomas Jevon's 'The devil of a wife'. Without the music. With an initial advertisement leaf for George Risk. "Dublin" in the imprint is obscured by a printer's ornament. Pp. 27-28 both misnumbered 25. In a different issue "Dublin" has not been obscured and there is no initial advertisement leaf.<br /><br />'imprintFull'[Dublin] : Printed for Sarah Cotter, 1760. 'collation'[2],25[i.e.28]p. ; 12°