<p>Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the 'other half' laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that grew out of caricature and ethnic humor.</p><p>Author Jean Lee Cole analyzes Progressive Era popular culture, providing a critical angle to approach visual and literary humor about ethnicity--how avenues of comedy serve as expressions of solidarity, commiseration, and empowerment. Cole&#39;s argument centers on the comic sensibility, which she defines as a performative act that fosters feelings of solidarity and community among the marginalized.</p><p>Cole stresses the connections between the worlds of art, journalism, and literature and the people who produced them--including George Herriman, R. F. Outcault, Rudolph Dirks, Jimmy Swinnerton, George Luks, and William Glackens--and traces the form&#39;s emergence in the pages of Joseph Pulitzer&#39;s New York World and William Randolph Hearst&#39;s Journal-American and how it influenced popular fiction, illustration, and art. How the Other Half Laughs restores the newspaper comic strip to its rightful place as a transformative element of American culture at the turn into the twentieth century.</p>