<p>In Latin America, where even today writing has remained a restricted form of expression, the task of generating consent and imposing the emergent nation-state as the exclusive form of the political, was largely conferred to the image. Furthermore, at the moment of its historical demise, the new, 'postmodern' forms of sovereignty appear to rely even more heavily on visual discourses of power. However, a critique of the iconography of the modern state-form has been missing. This volume is the first concerted attempt by cultural, historical and visual scholars to address the political dimension of visual culture in Latin America, in a comparative perspective spanning various regions and historical stages. The case studies are divided into four sections, analysing the formation of a public sphere, the visual politics of avant-garde art, the impact of mass society on political iconography, and the consolidation and crisis of territory as a key icon of the state.

<p>Jens Andermann is a Lecturer in Latin American Studies at Birkbeck College, London, and co-editor of the <i>Journal of Latin American Cultural Studies</i>. Among his publications are <i>Mapas de poder: una arqueología literaria del espacio argentino</i> (Rosario, 2000) and articles for major journals in Argentina, Brazil, Europe and the US.

<p>William Rowe is Anniversary Professor of Poetics at Birkbeck College, London. His book <i>Memory and Modernity: Popular Culture in Latin America</i> (London, 1991) has been translated into several languages. His most recent works, apart from translations of a wide range of Latin American poetry, are <i>Poets of Contemporary Latin America: History and the Inner Life</i> (Oxford, 2000) and <i>Ensayos vallejianos</i> (Berkeley and Lima, 2006).</p>