The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.<br />The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. <br />++++<br />The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:<br />++++<br />'sourceLibrary'Library of Congress<br /><br />'ESTCID'W032066<br /><br />'Notes'Samuel Holyoke co-edited this publication with Kimball. Cf. Grove's dictionary of music and musicians, American supplement, p. 387. Dedicated to the Essex Musical Association. Error in paging: p. 13 misnumbered 14.<br /><br />'imprintFull'[Exeter, N.H.] : From the music-press of H. Ranlet, Exeter. Printed for T.C. Cushing and B.B. Macanulty, and sold at their book-stores in Salem, 1800. 'collation'viii,[1],10-111,[1]p. : music ; 4°