<p><span style="color: rgba(73, 80, 87, 1)">William Levi Dawson (1899-1990) overcame adversity and Jim Crow racism to become a nationally recognized composer, choral arranger, conductor, and professor of music. In&nbsp;</span><em style="color: rgba(73, 80, 87, 1)">William Levi Dawson: American Music Educator</em><span style="color: rgba(73, 80, 87, 1)">, Mark Hugh Malone tells the fascinating tale of Dawson's early life, quest for education, rise to success at the Tuskegee Institute, achievement of national notoriety as a composer, and retirement years spent conducting choirs throughout the US and world.</span></p><p><br></p><p><span style="color: rgba(73, 80, 87, 1)">From his days as a student at Tuskegee in the final years of Booker T. Washington's presidency, Dawson continually pursued education in music, despite racial barriers to college admission. Returning to Tuskegee later in life, he became director of the School of Music. Under his direction, the Tuskegee Choir achieved national recognition by singing at Radio City Music Hall, presenting concerts for Presidents Herbert Hoover and Franklin D. Roosevelt, and performing on nationwide radio and television broadcasts.</span></p><p><br></p><p><span style="color: rgba(73, 80, 87, 1)">Dawson's&nbsp;</span><em style="color: rgba(73, 80, 87, 1)">Negro Folk</em><span style="color: rgba(73, 80, 87, 1)">&nbsp;</span><em style="color: rgba(73, 80, 87, 1)">Symphony</em><span style="color: rgba(73, 80, 87, 1)">, only the second extended musical work to be written by an African American, was premiered by Leopold Stokowski and the Philadelphia Orchestra in both Philadelphia and New York City. Dawson's arrangements of spirituals, the original folk music of African Americans enslaved in America during the antebellum period, quickly became highly sought-after choral works. This biographical account of Dawson's life is narrated with a generous sprinkling of his personal memories and photographs.</span></p>