<p>"America's epic is the odyssey of appetite," Campbell McGrath declares, and these poems track those defining hungers across a social landscape by turns "grave, risible, amazing, banal," cataloging the "vortex of images in a ruined theater the culture comes to resemble," from Rocky and Bullwinkle to "Blue Angels rampant on a field of static, / anthem and flag descending to darkness." In terza rima meditations, rock-and-roll elegies, and abecedarian lyrics, <em>Pax Atomica</em> documents the tangled romance between self and society ("in which / the melody's ampersand ensnares us") in ways both new and familiar to readers of McGrath's five previous volumes. A continuation as well as a departure for one of America's most highly honored poets, this is poetry of formal eloquence and rhetorical power, of vision and engagement. <em>Pax Atomica</em>descends into the maelstrom of American culture and emerges singing.</p>