Mondongo Scam & Ay Fefa, Where is the Wind?

Since their premiere in 1994 at the Dance Theater Workshop in New York City, Mondongo Scam by Claudio Mir and Ay Fefa, Where is the Wind? by Zaida Corniel have continued to find bilingual audiences eager to engage with stories of migration. These groundbreaking solo performance pieces show the new senses of collective belonging created in today's context of transnational migration. The characters in Mir and Corniel's plays form part of a network of social, political, and economic relations that connects home (Dominican Republic) and host (United States) societies and that facilitates the movement of people, capital, and culture. This is a NoPassport Press publication. Edited by Camilla Stevens