The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.<br />The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. <br />++++<br />The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:<br />++++<br />'sourceLibrary'British Library<br /><br />'ESTCID'T223721<br /><br />'Notes'The program included the overture of Handel's Esther, a Te Deum by Dettingen, miscellaneous arias and recitatives, mostly from Handel's sacred oratorios, and a oboe concerto by Mr. Fischer. The text only. Running title: "Sacred selection".<br /><br />'imprintFull'Chester : printed by J. Fletcher, for the committee; and sold by Messrs. Poole and Broster, in Chester, [1791]. 'collation'[16]p. ; 8°