<p>&nbsp;&nbsp;"A minor masterpiece...that authenticates Zoom as a grown-up dramatic medium."&nbsp;Five Stars</p><p>&nbsp;Sunday Times (UK)</p><p><br></p><p>&nbsp;&nbsp;"The question hangs in the virtual air of AND SO WE COME FORTH, Richard Nelson's wistfully stirring new Apple Family play.&nbsp;'What have we done to ourselves?'"&nbsp;</p><p>The Washington Post</p><p><br></p><p>&nbsp;&nbsp;"Powerful."</p><p>&nbsp;The New York Times&nbsp;</p><p><br></p><p>&nbsp;&nbsp;"Richard Nelson's extraordinary, intimate saga."</p><p>Variety</p><p><br></p><p>&nbsp;&nbsp;"Couldn't be more current, more relevant, more poignant, more powerful."</p><p>&nbsp;Northwest Herald (Illinois)</p><p><br></p><p>&nbsp;&nbsp;"The effect is kind of a balm to the audience as we identify with the family's unease, uncertainty, and unfamiliar emotions.... The family ask[s] whether art will still be important as part of the human experience in whatever the new world there will be after this... This play is itself the answer."</p><p>&nbsp;Gay City News</p><p><br></p><p>&nbsp;&nbsp;"The Apple Family is back, offering much-needed comfort... By giving voice to the anxieties and angers felt by so many these days, Nelson's characters have become old friends..."</p><p>Lighting and Sound America</p><p><br></p><p>&nbsp;&nbsp;"The beauty of Nelson's Apple Family Cycle lies in the context.&nbsp;Like the concentric circles in Chekhov's plays, characters contemplate the past and the future."</p><p>Theater Pizzazz</p>