<p>&nbsp; &nbsp;&ldquo;Run GLENGARRY GLEN ROSS through a Monty Python spin cycle and you might get Brian Parks&rsquo;s kinetic farce ENTERPRISE, an absurdist express train of comic corporate-speak&hellip;<br />
&nbsp; &nbsp;Four ambitious businessmen in a skyscraper&mdash;the bespectacled Weaver, the fresh-faced Sanders, the somewhat dim Owens and the experienced Landry&mdash;entertain big dreams of impressing the unseen chairman of their imperiled company with a proposal that will send profit margins into the stratosphere.<br />
&nbsp; &nbsp;But over a night the men spend collaborating, then pairing off into two rival factions, their hopes rise and fall in a stream of bluster, invective and recriminations.<br />
&nbsp; &nbsp;Their exchanges arrive in a succession of 45 rapid-fire blackouts, many introduced with pings and other audio snippets that suggest, say, a text alert, or a news-radio bulletin, or an office copier. Among the many concerns preoccupying these fatuous climbers are the suspiciousness of uncentered mimeographs; the &ldquo;smell&rdquo; of diminishing value; the Depression-era allure of jumping out a window; and the perceived vulnerability of office toilet stalls.<br />
&nbsp; &nbsp;Conspicuously absent from the discussions are mentions of home, family or women&mdash;as spouses, relatives or colleagues. (&ldquo;Astrology is astronomy for girls&rdquo;, says Landry dismissively.) No surprise there: These men live only to compete with and impress one another (and their boss). No one else has any place in their displays of would-be brainpower and self-consuming testosterone.<br />
&nbsp; &nbsp;&hellip;The true star is Mr Parks&rsquo;s dialogue: If a joke doesn&rsquo;t hit its mark (and some are simple non sequiturs), another one lands before you have time to notice.<br />
&nbsp; &nbsp;Mr Parks, a former theater editor at The Village Voice and an ex-chairm an of the Obie Awards, is noted for the fast pace of his work. ENTERPRISE comes off a 2017 run at the Edinburgh Festival Fringe, where it won a Scotsman Fringe First Award. The playwright&rsquo;s hapless executives may not qualify for a raise, but his ENTERPRISE merits a promotion.&rdquo;<br />
Andy Webster, The New York Times</p>