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ksiazka tytuł: The Art of the Venice Academy autor: Potter Mary Knight
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The Art of the Venice Academy

Containing a Brief History of the Building and of Its Collection of Paintings, as Well as Descriptions and Criticisms of Many of the Principal Pictures and Their Artists (Classic Reprint)
Wersja papierowa
Wydawnictwo: FB &c Ltd
ISBN: 978-13-340-3958-4
Format: 15.2x22.9cm
Liczba stron: 476
Oprawa: Miękka
Wydanie: 2018 r.
Język: angielski

Dostępność: aktualnie niedostępny
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Excerpt from The Art of the Venice Academy: Containing a Brief History of the Building and of Its Collection of Paintings, as Well as Descriptions and Criticisms of Many of the Principal Pictures and Their Artists<br><br>Any attempt to describe the collection of pictures in the Royal Gallery of Fine Arts in Venice, better known under its old title of the Academy, is met at once by a difficulty that no amount of effort can wholly overcome. This difficulty is the present ar rangement of the pictures themselves. Theoretic ally they are hung chronologically and by schools. Actually, with the exception of the first room, which holds, and holds only, what its title implies, the works of the early masters, the chronology of the pictures is little regarded. The second room, for instance, which leads directly out of the first, con tains masterpieces of the Renaissance at its height, while the rooms with the examples of the works of the men who led up to this height are numbered 15, 16, I7, 18, and are across the court from the first.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

 

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