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<P>The need to 'rethink' and question the nature of dance history has not diminished since the first edition of <I>Rethinking Dance History</I>. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research.&nbsp;A two-part structure divides the book's contributions into: </P>
<P>• Why Dance History? - the ideas, issues and key conversations that underpin any study of the history of theatrical dance. </P>
<P>• Researching and Writing - discussions of the methodologies and approaches behind any successful research in this area. </P>
<P>Everyone involved with dance creates and carries with them a history, and this volume explores the ways in which these histories&nbsp;might be used in performance-making&nbsp;- from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars, philosophers, choreographers, dancers and students alike, <I>Rethinking Dance History</I> is an essential starting point for anyone intrigued by the rich history and many directions of dance. </P>
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