New technologies have changed the practice of art and these changes have brought about a shift in the cooperation between artists, allowing for questioning about concepts of authorship, places, creativity and other conditions in which art manifests itself. In the tension that is established between the works created with the contribution of several artists and hypothetical projects "in progress" we find the questioning of the concepts of author, places and other conditions where art manifests itself. We have tried to ask simple questions that would allow us to have a field of reflection on the possibility of an aesthetics of cooperation, and from its empirical bases to build new tools of creation and the critical apparatus that are their own.