Excerpt from American Painters of Yesterday and Today<br><br>I do not wish to convey the impression of being insensible to the merits of the large canvases - they are too obvious to permit of their being overlooked by anyone who is at all sensitive to what is most truly beautiful in contemporary American landscape art. In suggesting minor faults which one finds in some, I do not mean to imply that they are common evenin the large canvases or that the smaller pictures which I have chosen to write about here are faultless. However, any inaccuracy in interpretation in a land scape of considerable dimensions is, simply because it involves so much in the way of mere representation, seemingly exaggerated, while a similar defect in a small painting is less likely to be discovered except as one studies it closely. I am not sure either that it is not true that in working a painter senses an inaccurate rendering in a small picture more often than in a large canvas, in the elaboration of which he is absorbed by subtleties of mood and emotion rather than by problems of actiial representation. Thus Murphy's miniature landscapes have, I believe, a more definite aspect of reality while his larger pic tures appeal to us more particularly because of their successful embodiment of spiritual values.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.