<p>A very black and hilarious comedy about love, sacred and profane, in Lydia&rsquo;s Eternal Acres Funeral Home, which is enlivened by two amorous morticians and a couple of really attractive corpses.</p><p>&nbsp; &nbsp;&ldquo;In the midst of death, there is life and love&mdash;sacred, profane, unrequited and almost always dysfunctional&mdash;in Christi Stewart-Brown&rsquo;s very black, five-character comedy (counting two corpses). Scarcely fare for the squeamish, with its excursions into heterosexual and homosexual couplings among the living and dead, the play&hellip;nonetheless comes off as a caustic, funny, sharp-eyed and skillfully performed autopsy on the difficulties of love&hellip; MORTICIANS IN LOVE may be morbid, but it has a heart.&rdquo;<br />
Lawrence van Gelder, The New York Times</p><p>&nbsp; &nbsp;&ldquo;&hellip; a morbid, pervy, and very funny farce&hellip; Sure, it&rsquo;s strange, but strangely touching too.&rdquo;<br />
Joe Brown, The Washington Post</p><p>&nbsp; &nbsp;&ldquo;What relationship is more tender and romantic than the one between a shy, sensitive female mortuary owner and a handsome, buffed, naked corpse? Christi Stewart-Brown&rsquo;s charmingly morbid comedy is so cheerful and upbeat, you&rsquo;ll hardly believe that you&rsquo;re watching a play about bisexual necrophilia.&rdquo;<br />
Paul Birchall, Back Stage West</p>