The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.<br />The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. <br />++++<br />The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:<br />++++<br />'sourceLibrary'British Library<br /><br />'ESTCID'T160899<br /><br />'Notes'Preface signed: T. B. In two parts, each with separate pagination and register; the second part itself is divided into two, each with separate pagination but continuous register, being 'Lessons for the violin' and 'Lessons for the flute'.<br /><br />'imprintFull'London : printed by and for William Pearson, and sold by John Young, musical-instrument-maker; and E. Miller, 1722. 'collation'[6],72;12,12p. : music ; obl.8°