First Published in 1998. Understanding Animation is a comprehensive introduction to animated film, from cartoons to computer animation. Paul Wells' insightful account of a critically neglected but increasingly popular medium:<BR>* explains the defining characteristics of animation as a cinematic form<BR>* outlines different models and methods which can be used to interpret and evaluate animated films<BR>* traces the development of animated film around the world, from <EM>Betty Boop</EM> to <EM>Wallace and Gromit</EM>. <BR>Part history, part theory, and part celebration, <EM>Understanding Animation</EM> includes: <BR>* notes towards a theory of animation<BR>* an explanation of animation's narrative strategies<BR>* an analyis of how comic events are constructed<BR>* a discussion of representation, focusing on gender and race<BR>* primary research on animation and audiences. <BR>Paul Wells' argument is illustrated with case studies, including Daffy Duck in Chuck Jones' <EM>Duck Amuck</EM>, Jan Svankmajer's <EM>Jabberwocky</EM>, Tex Avery's <EM>Little Rural Riding Hood</EM> and <EM>King Size Canary</EM> ', and Nick Park's <EM>Creature Comforts</EM>.&nbsp; Understanding Animation demonstrates that the animated film has much to tell us about ourselves, the cultures we live in, and our view of art and society.