<p>&nbsp; &nbsp;&ldquo;There&rsquo;s not a lot of fat to trim in KRISIT, &nbsp;a satire on Hollywood&hellip;.<br />
&nbsp; &nbsp;Skewering the greed, vanity and bloated egos of Hollywood types is an easy target that has been done more times than Krisit&rsquo;s crow&rsquo;s-feet. But York&rsquo;s script has plenty of clever quips&hellip;.&rdquo;<br />
Robert Dominguez, Daily News</p><p>What is &ldquo;Krisit&rdquo;? &hellip; a reclusive and peevish former movie star who hasn&rsquo;t left her home in 25 years. When the show opens she&rsquo;s lolling in her tub, wearing make-up and flashy jewels and being the sharp, brooks-no-argument grand dame with her new maid Lulu. Lulu is clearly role-playing. She&rsquo;s entirely too knowledgeable about who&rsquo;s who and who&rsquo;s doing what to who in Hollywood. She reads the industry press a little too avidly and she&rsquo;s awfully eager to lure Krisit out of retirement. In no time Lulu is taking a meeting with director Peter, who has a history with Krisit, and a stalled career that makes him desperate to have a project green-lighted. York uses the set-up to have fun commenting with engaging (and occasionally brutal) honesty on many things, including the insults of aging. Krisit has a leakage issue; Peter trades in wives for younger models to convince himself he still has whatever it is he needs to tell himself he has&hellip; York&rsquo;s voice is distinct as she reminds us how myopically we see ourselves even as we are blind to key truths; and about our relentless pursuit of ambitions which are generally not worth relentless pursuit. York also shows off a demented imagination with things like her solution for what to do with liposuctioned fat&hellip;<br />
Jackie Demaline, Cincinnati Equirer</p>