John Ford's classic films--such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, The Quiet Man, and The Searchers--have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford, described as definitive by both the New York Times and the Irish Times, surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities ...

"I lead a kind of staid life, actually, and oftentimes the characters will do things i would never dream of doing, or be ways i would never dare to be." How does a girl from Grundy, Virginia, become a successful writer? The interviews and profiles in Conversations with Lee Smith tell the story of one woman's discovery of her coal-mining hometown as a potential "literary place." In this first book of interviews with Smith, she revels in character and sense of place as cornerstones to her art. "What interests me most in writing are the characters," she says. ...

Winner of the 2019 Gordon K. ' Sybil Lewis Book Award In 1833, the abolition of slavery in the British Empire led to the import of exploited South Asian indentured workers in the Caribbean under extreme oppression. Dave Ramsaran and Linden F. Lewis concentrate on the Indian descendants' processes of mixing, assimilating, and adapting while trying desperately to hold on to that which marks a group of people as distinct. In some ways, the lived experience of the Indian community in Guyana and Trinidad represents a cultural contradiction of belonging ...

A thorough reckoning of the evolving ideas and legacy of a founding force in American evangelism Evangelicals and scholars of religious history have long recognized George Whitefield (1714-1770) as a founding father of American evangelicalism. But Jessica M. Parr argues he was much more than that. He was an enormously influential figure in Anglo-American religious culture, and his expansive missionary career can be understood in multiple ways. Whitefield began as an Anglican clergyman. Many in the Church of England perceived him as a radical. In the American ...

Contributions by Murali Balaji, Charisse Burden-Stelly, Christopher Cameron, Carlton Dwayne Floyd, Robert Greene II, Andre E. Johnson, Werner Lange, Lisa J. McLeod, Jodi Melamed, Tyler Monson, Eric Porter, Reiland Rabaka, Thomas Ehrlich Reifer, Camesha Scruggs, and Phillip Luke Sinitiere Although the career of W. E. B. Du Bois was remarkable in its entirety, a large majority of scholarship focuses on the first five or six decades. Overlooked and understudied, the closing three decades of Du Bois's career reflect a generative period of his life in terms ...

In the 1940s and '50s, Richard Dyer-Bennet (1913-1991) was among the best known and most respected folk singers in America. Paul O. Jenkins tells, for the first time, the story of Dyer-Bennet, often referred to as the "Twentieth-Century Minstrel." Dyer-Bennet's approach to singing sounded almost foreign to many American listeners. The folk artist followed a musical tradition in danger of dying out. The Swede Sven Scholander was the last European proponent of minstrelsy and served as Dyer-Bennet's inspiration after the young singer traveled to Stockholm to ...

Taking up the role of laughter in society, How the Other Half Laughs: The Comic Sensibility in American Culture, 1895-1920 examines an era in which the US population was becoming increasingly multiethnic and multiracial. Comic artists and writers, hoping to create works that would appeal to a diverse audience, had to formulate a method for making the 'other half' laugh. In magazine fiction, vaudeville, and the comic strip, the oppressive conditions of the poor and the marginalized were portrayed unflinchingly, yet with a distinctly comic sensibility that ...

Collected correspondence from arguably the most important folklorist of the twentieth century Alan Lomax (1915-2002) was one of the most stimulating and influential cultural workers of the twentieth century. He began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and ...

Contributions by Nilanjana Bhattacharjya, Benjamin Burkhart, Ivy Chevers, Martha I. Chew Sánchez, Athena Elafros, William García-Medina, Sara Goek, David Henderson, Eyvind Kang, Junko Oba, Juan David Rubio Restrepo, and Gareth Dylan Smith In Scattered Musics, editors Martha I. Chew Sánchez and David Henderson, along with a range of authors from a variety of scholarly backgrounds, consider the musics that diaspora and migrant populations are inspired to create, how musics and musicians travel, and how they change in transit. The authors ...

An exploration of the history and intent behind the song lyrics of a great American folk singer. "Essential." -- Choice