<P>Using the frameworks of literary theory relevant to modern fantasy, Dr. Joseph Young undertakes a compelling examination of George R. R. Martin's <I>A Song of Ice and Fire</I> and his employment of the structural demands and thematic aptitudes of his chosen genre. Examining Martin's approaches to his obligations and licenses as a fantasist, Young persuasively argues that the power of <I>A Song of Ice and Fire</I> derives not from Martin's abandonment of genre convention, as is sometimes asserted, but from his ability to employ those conventions in ways that further, rather than constrain, his authorial program.</P><br/><br/><P>Written in clear and accessible prose, <I>George R. R. Martin and the Fantasy Form</I> is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important work for both students and critics of Martin's work and argues for a reading of <I>A Song of Ice and Fire</I> as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.</P>